Film Reviews

The Fleet’s In (1942)

There’s something so inherently charming about the classic, sailor musical. For the American public, World War 2 had become such a part of their daily lives that it even began to infiltrate the typically happy world of musicals. It’s a subgenre that’s essentially impossible to recreate at any other moment in history—they’re inherently of their time, and I love the sweet kind of optimism and escapism that typically exist, despite the aspects of reality encroaching in. TCM focused on a specific subset of “sailors on leave” pictures a few nights ago, and I caught one that I had never seen: The Fleet’s In, starring Dorothy Lamour and William Holden.

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Film Reviews

Cover Girl (1944)

After seeing Patricia Ward Kelly’s show, “Gene Kelly: A Legacy,” I was dismayed to find that there were still a handful of performances that his widow considered to be among his best that I had still not yet seen. For (my) reference, those were: The Three Musketeers, Thousands Cheer, Words and Music, Cover Girl, Living in a Big Way, and Brigadoon. I covered Words and Music a few weeks back—it happily doubled as a That’s Entertainment entry, which is always a plus for me—but today I decided to set my sights on a film containing Kelly working alongside one of my favorite classic actresses, Rita Hayworth.

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Film Reviews

Strait-Jacket (1964)

Strait-Jacket is a delightfully campy ’60s thriller starring the indomitable Joan Crawford, directed by B-movie legend William Castle, and written by Robert Bloch, whom you may know as the author of Psycho. With all those pedigrees in place, it’s no wonder that Strait-Jacket is a classic of Grand Guignol horror and a thoroughly enjoyable piece of high schlock.

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Film Reviews

The Phantom of Hollywood (1974)

On the surface, The Phantom of Hollywood, a TV movie from 1974, may seem like it’d only appeal to the most devoted of B-horror aficionados. A retelling of The Phantom of the Opera, the film has plenty of inventive killings and questionable dialogue to satisfy those viewers, but it also holds value for fans of classic films—particularly those interested in MGM. That’s because The Phantom of Hollywood was actually filmed on the MGM backlot as it was being parceled off and torn down. The movie makes great use of that decaying, yet familiar, setting, and also creates a fun, rebellious, pro-film anti-hero as its villain.

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Film Reviews

Everything I Have Is Yours (1952)

Generally, when the TV guide describes a movie as “a bit of fluff,” as it did in the case of Everything I Have Is Yours, I’m not expecting much in terms of drama. So, I was perhaps particularly blindsided by this movie, which, although a musical on the surface (and in the TV guide), is also a meditative drama on the volatile nature of relationships, marriage, and family, with a particular focus on the gender roles of its era. Pretty heady stuff for a 1952 MGM musical, especially when I came in expecting a light vehicle for dancers Marge and Gower Champion.

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