
During Agent Carter‘s first-season run, my friend Katie (kawaiibetic) did a great service over on Tumblr by compiling period-accurate resources and research that related to the world explored in…
During Agent Carter‘s first-season run, my friend Katie (kawaiibetic) did a great service over on Tumblr by compiling period-accurate resources and research that related to the world explored in…
This post is part of the 31 Days of Oscar Blogathon, hosted by Paula’s Cinema Club, Outspoken & Freckled, and Once Upon A Screen. Check out all the…
When you’re a classic movie fan, it can feel hard to motivate yourself to get to the multiplex for contemporary movies—knowing that it means you don’t get to use…
By the 1980s, the movie musical was… well, far beyond the time of transition. Since their heyday in the ’30s and ’40s, musicals had become limited to just a handful of movies per year, without a lot to choose from—Disney films for kids, pop hits designed to sell soundtracks, the occasional prestigious musical dramas, and the cheesy movies that seemed to capture everything cringeworthy of their era. For the studios financing the films, musicals were, to put it mildly, anything but a sure thing. That’s partly what makes Purple Rain such an interesting moment in film history—though it’s easy to see its significance 25 years after the fact, Purple Rain is still a weird, weird movie.