I was delighted to spot this one coming up on my Rare Musicals list for October, as the sailor musical has quickly become one of my shortcuts to making my movie selections. I was particularly interested in Hit the Deck because of the stellar cast, as well as the fact that it’s both a late-stage MGM musical and late-stage for sailor musicals in general–coming nearly 10 years after the end of WWII.
Category: Reviews
The [Plural Nouns] of [French Town] (1964, 1967)
I’m taking a step back from a somewhat overwhelming stockpile of musicals in my DVR to get back to the basics, continuing on my “That’s Entertainment” list and just generally being open to watching new things, without the threat of Warning! Your DVR is currently 98% full!. That’s not the most conducive environment for watching films, so I’m going to go through my list and identify those that are most important to my overall education.
Glenn Miller in Orchestra Wives (1942)
Orchestra Wives is a great example of a band fully integrated into the picture’s overall narrative. Glenn Miller and his orchestra are the object of affection of the titular spouses, and the characters to whom we’re introduced throughout are a mix of actors and real-life band members.
Give a Girl a Break (1953)
Give a Girl a Break is another of the films I’ve been catching up on from TCM that isn’t available on Netflix, but I’m slowly working through them–hopefully before the next big DVR-buster of a schedule pops up. Anyway, it’s a great example of the behind-the-scenes musical subgenre, with a familiar but cheerfully welcome set up.
Meet Me in Las Vegas (1956)
I mentioned the other day that wartime sailor musicals are one of my newly discovered favorite subgenres of musicals, and in that spirit, I’ve identified another worthy subgenre from my explorations: Las-Vegas-based musicals from the 1950s and 1960s. Not only do you get the Rat Pack and Elvis Presley at their peaks, but as a whole, the city of Las Vegas was really a unique cultural institution in this era as well–and as a city of constant reinvention, it’s unlikely to replicate this particular blend of style, danger, and opulence again.
Robin and the Seven Hoods (1964)
It didn’t take much to get me to peak excitement for this film: Rat Pack + Robin Hood set in 1920s Chicago, and I was pretty much sold. Even if it turned out to be not great, the pieces were already set to make for a great movie experience.