Film Reviews

Cover Girl (1944)

After seeing Patricia Ward Kelly’s show, “Gene Kelly: A Legacy,” I was dismayed to find that there were still a handful of performances that his widow considered to be among his best that I had still not yet seen. For (my) reference, those were: The Three Musketeers, Thousands Cheer, Words and Music, Cover Girl, Living in a Big Way, and Brigadoon. I covered Words and Music a few weeks back—it happily doubled as a That’s Entertainment entry, which is always a plus for me—but today I decided to set my sights on a film containing Kelly working alongside one of my favorite classic actresses, Rita Hayworth.

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Profiles

31 Days of Oscar: Vincente Minnelli

Few directors have made as lasting and beautiful a contribution to musical films as Vincente Minnelli, the filmmaker responsible for helming such enduring classics as An American in Paris, Meet Me in St. Louis, The Pirate, The Band Wagon, and Gigi. Happily, in a month filled with Oscar-related woes about snubs and forgotten categories, it’s nice to look back …

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That's Entertainment

The Harvey Girls (1946)

While I’m never really expecting to see Judy Garland involved in a bar brawl, or threateningly brandishing a pistol in each hand, I really wasn’t expecting to see it happen in The Harvey Girls, a wholesome 1946 musical based on the true story of a restauranteur’s trainside western empire. But that’s what happened, and I’m glad it did—as little surprises like this were part of what made the film charming, if a little creaky, to behold.

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That's Entertainment

Words and Music (1948)

Before Rodgers and Hammerstein, there was Rodgers and Hart: Richard Rodgers and Lorenz Hart, that is, the popular Depression-era songwriting duo responsible for a bevy of songs now commonly accepted as American cultural currency—”Blue Moon,” “The Lady is a Tramp,” and “My Funny Valentine” included, among many others. Their sometimes prolific, sometimes turbulent partnership is the focus of the 1948 musical comedy, Words and Music, starring Tom Drake as Rodgers and Mickey Rooney as Hart. Though many of their most famous songs embody a kind of wistful, depressive nature, and their partnership ended on uncertainly unhappy terms, this film is highly sanitized depiction, and really uses only the most basic elements of the real-life story. Any weaknesses in the plot, though, are ably enhanced by some fun dance numbers from an exceptional array of guest stars and cameos brought in to celebrate the pair.

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That's Entertainment

Show Boat (1951)

Despite being readily available on pretty much every format out there, I admit I’d been avoiding Show Boat, the 1951 film version of the stage musical, until now, when I’m running low on titles for my That’s Entertainment quest. It’s partly because I haven’t really been drawn to the musicals I’ve seen so far that are set around that time period—I think they require a certain level of nostalgia to stretch back into that time, which I don’t quite have—and I’d also read the brief description of the film, which signaled that I should be expecting some vintage, 1951 racial politics. That’s not something I seek to expose myself to on a typical basis, but I mustered onward for the sake of completion.

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