Easy Living, part of a Preston Sturges double feature at New Beverly this past week, is a delightful screwball comedy from 1937. It’s full of misunderstandings and mistaken identities, and it’s a great example of escapist fantasy for Depression-era (or modern day) moviegoers. Our Cinderella in this story is Mary Smith (Jean Arthur), who’s on …
TCM rounds out the end of the year with a spectacular lineup, thanks in part to its choice of Fred Astaire as December’s Star of the Month, which was, of course, a fantastic decision.
I’m digging further into the mass of Busby Berkeleys I accumulated last week, and I’ve run into another odd, very un-“Berkeley”-like picture: I Live for Love. It’s very interesting to look at these smaller films as a kind of career in and of itself, moving parallel to his more well-known musical spectacles. Here we see another highly melodramatic piece with little evidence of the signatures and trademarks he developed in his musical works.
I hadn’t actually planned on watching this movie–though it is directed by Busby Berkeley, it’s not actually a musical, so it didn’t cross on my radar while I was plotting this month’s Rare Musicals post. TCM had given us the gift of a whole day of rare Berkeleys, so while I was flipping through my …
As is happily typical with their programming, the New Beverly delivered unto me a long-awaited, yet previously unavailable, movie interest of mine: Looking for Mr. Goodbar. The 1977 not-on-DVD classic stars Diane Keaton and baby versions of Tom Berenger, Richard Gere, and LeVar Burton, and is based on the real-life 1973 murder of Roseann Quinn.
It’s a relatively light month, musical-wise, over at TCM, with the glaring exception of November 12, where they’ve apparently decided to program the day exclusively with rare Busby Berkeley directed/choreographed musicals. I offer absolutely no resistance to this idea whatsoever and encourage future repetition whenever possible.